Best Picture

Winner” “One Battle After Another” (57 points)

Runners-up:

“Sinners” (29 points)

“The Secret Agent” (27 points)

BEST DIRECTOR

Winner:

Paul Thomas Anderson, “One Battle After Another” (54 Points)

Runners-Up:

Jafar Panahi, “It Was Just an Accident” (48 points)

Richard Linklater, “Blue Moon” and “Nouvelle Vague” (39 points)

BEST ACTRESS

Winner:

Kathleen Chalfant, “Familiar Touch” (45 points)

Runners-up:

Rose Byrne, “If I Had Legs I’d Kick You” (39 points)

Renate Reinsve, “Sentimental Value” (37 points)

BEST ACTOR

Winner:

Ethan Hawke, “Blue Moon” (57 points)

Runners-up:

Wagner Moura, “The Secret Agent” (43 points)

Michael B. Jordan, “Sinners” (36 points)

BEST SUPPORTING ACTRESS

Winner:

Teyana Taylor, “One Battle After Another” (56 points)

Runners-up:

Inga Ibsdotter Lilleaas, “Sentimental Value” (47 points)

Wunmi Mosaku, “Sinners” (41 points)

BEST SUPPORTING ACTOR

Winner:

Benicio del Toro, “One Battle After Another” (54 points)

Runners-up:

Delroy Lindo, “Sinners” (37)

Stellan Skarsgård, “Sentimental Value” (30 points)

BEST SCREENPLAY

Winner:

Jafar Panahi, “It Was Just an Accident” (53 points)

Runners-up:

Robert Kaplow, “Blue Moon” (50 points)

Kleber Mendonça Filho, “The Secret Agent” (40 points)

BEST FILM NOT IN THE ENGLISH LANGUAGE

Winner:

“The Secret Agent” (58 points)

Runners-up:

“It Was Just an Accident” (57 points)

“Sentimental Value” (38 points)

BEST NONFICTION FILM

Winner: “My Undesirable Friends: Part I — Last Air In Moscow” (56 points)

Runners-up:

“The Perfect Neighbor” (22 points)

“Orwell: 2+2=5” (18 points)

BEST CINEMATOGRAPHY

Winner:

Autumn Durald Arkapaw, “Sinners” (50 points)

Runners-up:

Adolpho Veloso, “Train Dreams” (36 points)

Michael Bauman, “One Battle After Another” (29 points)

SPECIAL AWARD FOR A FILM AWAITING U.S. DISTRIBUTION

“Landmarks” (Lucrecia Martel)

BEST EXPERIMENTAL FILM

“Morning Circle” (Basma al-Sharif)

FILM HERITAGE AWARDS

Cinema Tropical, for its tireless efforts to distribute, program and promote Latin American cinema in the U.S.

The Film Desk, for releasing key movies from all over the world, in 35mm prints and on home video, and publishing books that have enriched the public’s knowledge of cinema.

The late Ken and Flo Jacobs, an irreplaceable, gravitational center of the American avant-garde, with a shared artistic sensibility that helped define experimental cinema.